Thursday 10 September 2009

Monday 14: Next Meeting of Sapphist Writers

Don't forget to come to the Sapphist Writer's meeting this coming Monday, the 14th, at 7:15pm! We'll meet at the Nottingham Women's Centre (30 Chaucer Street) as usual. See you there!

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Saturday 5 September 2009

Words to Sandy's poems

Do not feel beyond this point

We cannot tolerate sadness here,
It echoes with our own.
You must not let us see your fear . . .
It does not need to be known.
Your anger is unwelcome;
No matter if it’s justified
You may very well have a reason
But you should keep it all inside.
In time, you’ll learn containment;
You’ll not let anything show,
Your exterior will shine contentment
While your inside is hollow.
You’ll be corroded to the core,
A dump for toxic waste;
A brightly painted steel door
Protecting our distaste.
Your pain might be infectious
And being cold is the only art;
Our sensibilities are more precious
Than your beleaguered heart.

Waiting for the train

We heard its whistle once again
And stood, still, waiting for a glimpse.
You and I, in limbo, in the grey,
Hardly expecting to be here,
Forgetting our mutual joy
Under the cloud oppressing us.

Over the grey weeks that we walked,
Catching sound but never a sight,
We strained to glimpse our bashful train
And on this of all days, it came.
We barely had the faith to wait
But somehow we stood, mesmerised
By a far-off whistle’s promise
And distant chugging on the air.

A moment before hope ran out
The plume of steam appeared in view,
A purer cloud beneath the grey,
Wreathing the engine’s ancient black,
Like signs of spring crept upon us.
I saw joy in your face, and yet
You would not take it as a signTo be patient, my love, and hope.

Wallpaper

How can she not remember
Why she tears at me distractedly,
Ripping long shreds from me,
Without remembering
A father’s hands shredding into her?

She leaves when he comes to her
And finds herself here, after.
Picking at me as if I can tell her.
As if to uncover a secret
She has buried in the plaster.


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Words

Hello kittens! I’d like to encourage those who participated in the making of the videos to provide the written poems they created. When I viewed the videos we have thus far, I had a desire to see them written and maybe learn how they came about.

I’ve included in this post the poem I read on video. The poem was the result of an exercise given us by Rock Chick Viv at our last monthly meeting. After drawing an unknown object from a bag, there was a task of writing something, anything within a five minute time limit. I pulled from the bag a metallic and plastic thing that confounded me. I had to ask for help with identifying what was the whistle part of a kettle! So, with whistle bit in hand and tea on my mind, I wrote the following:

I Love My Tea

You whistle at me
stealing my
attention.

I stroll in casually -
I can't give away
just how much
I want . . .
what you've got.

You go silent;
I slowly stir things up.
That special scent
wraps itself around me.

I sigh-
and burn my lips
upon that
first,
delicious,
hot
taste.

Love,
Minxy

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Friday 4 September 2009

More Poets in Performance

We promised you more videos, and here's Sandy stealing the show. I heard that's just what she did at Women in Tune over the weekend! Go Sandy!

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Wednesday 2 September 2009

Women In Tune

I just returned from the WIT festival in beautiful Wales; my very muddy car looks slightly surreal on the urban streets, and my brain is re-adjusting to the presence of men. ‘No, Sandy, that is not a very masculine-looking dyke, it is actually a bloke,’ my partner tells me patiently.

Exciting, moist, inspiring, emotional, intimate, tender, raucous, solemn, silly, professional, homespun, playful . . . – what more could I have wanted from my bank holiday? Being blown away by the talent of a multitude of musical and artistic women both renowned and obscure, and having a chance to explore ourselves and our creativity, and above all to play in a nurturing and liberating, feminist atmosphere that is there for all women, but is exceptionally Sapphist-friendly.

There were so many poets this year, on main stage, open mic and fringe, and plenty of writing-themed workshops; I’m thinking of suggesting a spin-off “Lit WIT”. Best of all was when the wonderful Erica suggested we do some “spontaneous combustion” – find a space, improvise for the briefest of times between lunch and the afternoon workshops, and see what happens. How could we refuse? We didn’t have long, but Erica was prepared, with a pile of daily newspapers and an exercise inspired by Dadaism. We drew a grid on a random page, and using only words that were on the grid intersections, we constructed our pieces. An alternative exercise used only the letters from Women In Tune to construct the lines of a poem.

I’m always fascinated by the way constraints push us to be more creative with how we use words – the structure of a poem drives us to reach for new ways of expressing, and in this case, the scarcity of our words pushed us to search for deeper meaning. For some reason, I found myself with the letters page of the Daily Express, and writing with a pen from the North Yorkshire Police Department. It was bound to be surreal:

Time matters
These are just experiments;
Fizzy missions
And Pepsi-cola politicians
Feeding our suspicions.

Bogus claimants
And phoney applicants;
Threat to our system.
Where’s the choice?
Who’s the voice?
Luckily, time matters
These are just experiments.

Naturally, we went on to perform our pieces to the enjoyable bemusement of the WIT audience. . . So, welcome to Sapphist Writers my new-found WIT comrades and here is some of what the other group members produced:

Jet:

All energy
Bats screaming
People play
Own upbringing
Mum gets daughter
Dads in massive pants
Crazy day
Amy, Sharon, Kelly
She ran in garden with the moss
Cool boy spoke most
And bit on football and flour?

Meg:

The cast were pleased someone with a Welsh name dramatised the early radio hit and then started performing at the working men’s club, exactly. Very British!

People with long holidays coincided were drummed in otherwise it might have bombed.

Erica:

The clear emissions of
Seasons settle
Earth levels vital
Ideological debate in
Cold glowing darkness
In body energy balls

Clear emissions
Earth levels vital

Flawed climate power
(Of) fossil carbon beliefs
The material machine
Restored: carousels
Incandescent light

Clear emissions
Earth levels vital

Washout creationist beliefs converted groups

Earth levels vital

In secular darkness
The ideological train skids
The cold pearl’s glow
Houses creation energy

Clear emissions
Earth levels vital

Bethan:

The Escape

Someone physically bound
Frustration within ourselves;
Cranky and repetitive work
Creates someone alone.
Confront their position,
The energy is in ourselves.

Rachelle:

(An extension of the second exercise)

All night baptism session

Money and wine, wino mine
Emotions spoken after nine
Nouns mown to fit my line

Green tones untie turns and toes
My hazy vision shrinks and grows
Body’s whispers turn to bellows

Money and wine, wino mine
Emotions spoken after nine

Bottles rub out tones and tunes
No need now for our Sapphic runes
Whiskey mines my dizzy croons

Money and wine, wino mine
Emotions spoken after nine

Erica/jointly authored by group:

(From the letters w.o.m.e.n.i.n.t.u.n.e.)

Un-tune
To tune
In tune
In time

WIT!
Wot?
New . . . m_ew!

Mine
Nine
Neon time

In time
In tune
To tune
Un-tune

No men.

Whim
Wine
Ween
Twin
Wom . . . wom . . . wom

Un-tune
To tune
In tune
In time


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